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Leonard Elschenboich is joined by pianist Alexi Grynyuk for a program of Beethoven's five cello sonatas, which span his three creative periods. The audacious Op.5 sonatas date from his early years in Vienna as a piano virtuoso and aspiring composer (1792-99). The great Op.69 sonata is from the same period that saw the composition of Symphonies Nos.4-8, the Violin Concerto, Mass in C and the String Quartets Op.59. The two Op.102 sonatas are from the cusp of the 'late' period. This is the time of the Symphony No.9, the Missa Solemnis, the great string quartets Op.127-135 and the last five piano sonatas. The cello and piano are truly equal partners in all these works, and Beethoven exploited the full range of the cello - placing great demands on the player. The Op.17 sonata from the 1790s was composed for horn and piano. The transcription is believed to be by the composer, or at least approved by him.
Leonard Elschenboich is joined by pianist Alexi Grynyuk for a program of Beethoven's five cello sonatas, which span his three creative periods. The audacious Op.5 sonatas date from his early years in Vienna as a piano virtuoso and aspiring composer (1792-99). The great Op.69 sonata is from the same period that saw the composition of Symphonies Nos.4-8, the Violin Concerto, Mass in C and the String Quartets Op.59. The two Op.102 sonatas are from the cusp of the 'late' period. This is the time of the Symphony No.9, the Missa Solemnis, the great string quartets Op.127-135 and the last five piano sonatas. The cello and piano are truly equal partners in all these works, and Beethoven exploited the full range of the cello - placing great demands on the player. The Op.17 sonata from the 1790s was composed for horn and piano. The transcription is believed to be by the composer, or at least approved by him.
880040419624

Details

Format: CD
Label: ONXC
Rel. Date: 05/03/2019
UPC: 880040419624

Beethoven: Sonatas For Cello And Piano
Artist: Leonard Elschenbroich
Format: CD
New: IN PRINT AND ONLINE ORDER-ABLE - , call or email $31.98
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DISC: 1
MP3
1. Cello Sonata No. 1 In F Major, Op. 5: I. Adagio Sostenuto
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2. Cello Sonata No. 1 In F Major, Op. 5: II. Allegro
3. Cello Sonata No. 1 In F Major, Op. 5: III. Rondo - Allegro Vivace
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4. Cello Sonata No. 2 In G Minor, Op. 5: I. Adagio Sostenuto Ed Espressivo
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5. Cello Sonata No. 2 In G Minor, Op. 5: II. Allegro Molto, Piu Tosto Presto
6. Cello Sonata No. 2 In G Minor, Op. 5: III. Rondo - Allegro
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7. Cello Sonata In F Major, Op. 17: I. Allegro Moderato (Arr. Composer From Horn Sonata)
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8. Cello Sonata In F Major, Op. 17: II. Poco Adagio, Quasi Andante
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9. Cello Sonata In F Major, Op. 17 III. Rondo - Allegro Moderato
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10. Cello Sonata No. 3 In A Major, Op. 69: I. Allegro Ma Non Tanto
11. Cello Sonata No. 3 In A Major, Op. 69: II. Scherzo - Allegro Molto
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12. Cello Sonata No. 3 In A Major, Op. 69: III. Adagio Cantabile - Allegro Vivace
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13. Cello Sonata No. 4 In C Major, Op. 102: I. Andante
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14. Cello Sonta No. 4 In C Major, Op. 102: Allegro Vivace
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15. Cello Sonata No. 4 In C Major, Op. 102: II. Adagio - Tempo D'andante
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16. Cello Sonata No. 4 In C Major, Op. 102: Allegro Vivace
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17. Cello Sonata No. 5 In D Major, Op. 102: I. Allegro Con Brio
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18. Cello Sonata No. 5 In D Major, Op. 102: Adagio Con Molto - Sentimento D Affetto
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19. Cello Sonata No. 5 In D Major, Op. 102: III. Allegro Fugato
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Leonard Elschenboich is joined by pianist Alexi Grynyuk for a program of Beethoven's five cello sonatas, which span his three creative periods. The audacious Op.5 sonatas date from his early years in Vienna as a piano virtuoso and aspiring composer (1792-99). The great Op.69 sonata is from the same period that saw the composition of Symphonies Nos.4-8, the Violin Concerto, Mass in C and the String Quartets Op.59. The two Op.102 sonatas are from the cusp of the 'late' period. This is the time of the Symphony No.9, the Missa Solemnis, the great string quartets Op.127-135 and the last five piano sonatas. The cello and piano are truly equal partners in all these works, and Beethoven exploited the full range of the cello - placing great demands on the player. The Op.17 sonata from the 1790s was composed for horn and piano. The transcription is believed to be by the composer, or at least approved by him.


        
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