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During his thirteen years as chief conductor of the Stuttgart Radio Symphony Orchestra of SWR Sir Roger Norrington conducted and recorded an important part of Berlioz's core repertoire. The present boxed set brings together on seven CDs the Requiem, the opera Benvenuto Cellini (concert performance), the oratorio L'Enfance du Christ, the overture Les Francs-juges and of course the Symphonie fantastique. Norrington's style has caused a stir internationally with what has come to be termed 'The Stuttgart Sound': a synthesis of historically-informed performance practice with the technical capabilities of a modern orchestra. Whether in Mozart, Haydn, Bruckner or Berlioz, Norrington seeks to capture the performance experience of the time, adjusting the orchestra's size and seating plan to create an authentic sound without vibrato. Hector Berlioz had to surmount a variety of challenges before he was able to pursue his musical vocation. His father, a respected physician in the provincial South of France, was not readily willing to come to terms with his son's intention to quit his medical studies and turn instead to music. He therefore made all further financial support subject to Hector's climbing up the musical ladder at lightning speed. Alas, it didn't work so easily. Berlioz's road to success was tedious and marked by adversity and struggle, his personal life tumultuous. The uniqueness and originality of his musical style are no longer disputed, but this insight came at the end of a decades long process.
During his thirteen years as chief conductor of the Stuttgart Radio Symphony Orchestra of SWR Sir Roger Norrington conducted and recorded an important part of Berlioz's core repertoire. The present boxed set brings together on seven CDs the Requiem, the opera Benvenuto Cellini (concert performance), the oratorio L'Enfance du Christ, the overture Les Francs-juges and of course the Symphonie fantastique. Norrington's style has caused a stir internationally with what has come to be termed 'The Stuttgart Sound': a synthesis of historically-informed performance practice with the technical capabilities of a modern orchestra. Whether in Mozart, Haydn, Bruckner or Berlioz, Norrington seeks to capture the performance experience of the time, adjusting the orchestra's size and seating plan to create an authentic sound without vibrato. Hector Berlioz had to surmount a variety of challenges before he was able to pursue his musical vocation. His father, a respected physician in the provincial South of France, was not readily willing to come to terms with his son's intention to quit his medical studies and turn instead to music. He therefore made all further financial support subject to Hector's climbing up the musical ladder at lightning speed. Alas, it didn't work so easily. Berlioz's road to success was tedious and marked by adversity and struggle, his personal life tumultuous. The uniqueness and originality of his musical style are no longer disputed, but this insight came at the end of a decades long process.
747313953189

Details

Format: CD
Label: SWRMUSIC
Rel. Date: 04/08/2022
UPC: 747313953189

Norrington Conducts Berlioz (Box)
Artist: Berlioz
Format: CD
New: IN PRINT AND ONLINE ORDER-ABLE - , call or email $31.99
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DISC: 1
MP3
1. Les Francs-Juges, Op. 3, H. 23d: Overture (Live)
2. Symphonie Fantastique, Op. 14, H. 48: I. Rêveries - Passions. Largo - Allegro Agitato E Appassionato Assai - Religiosament
3. Symphonie Fantastique, Op. 14, H. 48: II. Un Bal. Valse. Allegro Non Troppo (Live)
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4. Symphonie Fantastique, Op. 14, H. 48: III. Scène Aux Champs. Adagio (Live)
5. Symphonie Fantastique, Op. 14, H. 48: IV. Marche Au Supplice. Allegro Non Troppo (Live)
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6. Symphonie Fantastique, Op. 14, H. 48: V. Songe D’une Nuit De Sabbat. Larghetto - Allegro (Live)
DISC: 2
MP3
1. L’enfance Du Christ, Op. 25, H. 130, Pt. 1 Scene 1 "Le Songe D’hérode": Dans La Créche (Live
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2. L’enfance Du Christ, Op. 25, H. 130, Pt. 1 Scene 1 "Le Songe D’hérode": Qui Vient ? (Live)
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3. L’enfance Du Christ, Op. 25, H. 130, Pt. 1 Scene 2 "Le Songe D’hérode": Toujours Ce Rêve ! (L
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4. L’enfance Du Christ, Op. 25, H. 130, Pt. 1 Scene 2 "Le Songe D’hérode": O Misère Des Rois [L
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5. L’enfance Du Christ, Op. 25, H. 130, Pt. 1 Scene 3 "Le Songe D’hérode": Seigneur ! (Live)
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6. L’enfance Du Christ, Op. 25, H. 130, Pt. 1 Scene 4 "Le Songe D’hérode": Les Sages De Judée (
7. L’enfance Du Christ, Op. 25, H. 130, Pt. 1 Scene 5 "Le Songe D’hérode": Ô Mon Cher Fils, Donn
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8. L’enfance Du Christ, Op. 25, H. 130, Pt. 1 Scene 6 "Le Songe D’hérode": Joseph ! Marie ! Éco
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9. L’enfance Du Christ, Op. 25, H. 130, Pt. 2 "La Fuite En Égypte": Overture (Live)
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10. L’enfance Du Christ, Op. 25, H. 130, Pt. 2 "La Fuite En Égypte": Adieu Des Bergers À La Sainte Fam
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11. L’enfance Du Christ, Op. 25, H. 130, Pt. 2 "La Fuite En Égypte": Le Repos De La Sainte Famille (Live)
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DISC: 3
Digital download
MP3
1. L’enfance Du Christ, Op. 25, H. 130, Pt. 3 "L’arrivée À Saïs": Depuis Trois Jours, Malg
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2. L’enfance Du Christ, Op. 25, H. 130, Pt. 3 Scene 1 "L’arrivée À Saïs": Dans Cette Ville
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3. L’enfance Du Christ, Op. 25, H. 130, Pt. 3 Scene 2 "L’arrivée À Saïs": Entrez, Entrez,
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4. L’enfance Du Christ, Op. 25, H. 130, Pt. 3 Scene 3 "L’arrivée À Saïs": Trio Pour Deux F
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5. L’enfance Du Christ, Op. 25, H. 130, Pt. 3 Scene 3 "L’arrivée À Saïs": Vous Pleurez, Je
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6. L’enfance Du Christ, Op. 25, H. 130, Pt. 3 Scene 3 "L’arrivée À Saïs": Ce Fut Ainsi Que
DISC: 4
MP3
1. Benvenuto Cellini, Op. 23, H. 76 (Weimar Version): Overture [Live]
2. Benvenuto Cellini, Op. 23, H. 76, Act I Scene 1 "Lundi Gras" (Weimar Version): Teresa ! Teresa ! Où Peut-Elle &
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3. Benvenuto Cellini, Op. 23, H. 76, Act I Scene 1 "Lundi Gras" (Weimar Version): Enfin Il Est Sorti Tout De Bon [Live]
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4. Benvenuto Cellini, Op. 23, H. 76, Act I Scene 2 "Lundi Gras" (Weimar Version): Les Belles Fleurs ! [Live]
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5. Benvenuto Cellini, Op. 23, H. 76, Act I Scene 2 "Lundi Gras" (Weimar Version): Entre L’amour Et Le Devoir [Live]
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6. Benvenuto Cellini, Op. 23, H. 76, Act I Scene 3 "Lundi Gras" (Weimar Version): Cellini ! [Live]
7. Benvenuto Cellini, Op. 23, H. 76, Act I Scene 4 "Lundi Gras" (Weimar Version): Ciel, Nous Sommes Perdus, C’est L
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8. Benvenuto Cellini, Op. 23, H. 76, Act I Scene 4 "Lundi Gras" (Weimar Version): A Nous, Voisines Et Servantes ! [Live]
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9. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 "Mardi Gras" (Weimar Version): Une Heure Encore Et Ma Belle Maî
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10. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 "Mardi Gras" (Weimar Version): La Gloire Était Ma Seule Idole
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11. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 "Mardi Gras" (Weimar Version): A Boire, À Boire, À Boir
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12. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 "Mardi Gras" (Weimar Version): Si La Terre Aux Beaux Jours Se Couronn
13. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 9 "Mardi Gras" (Weimar Version): Cette Somme T’est Due [Live]
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14. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 9 "Mardi Gras" (Weimar Version): C’est Trop Fort ! [Live]
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15. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 9 "Mardi Gras" (Weimar Version): Ah ! Qui Pourrait Me Résister ?
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DISC: 5
Digital download
MP3
1. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 "Mardi Gras" (Weimar Version): Vous Voyez, J’espère [Li
2. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 "Mardi Gras" (Weimar Version): Ah ! Ah ! Très Bien, Le Plaisa
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3. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 "Mardi Gras" (Weimar Version): Voici Maître Arlequin [Live]
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4. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 "Mardi Gras" (Weimar Version): Regardons Bien Maître Arlequin
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5. Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 "Mardi Gras" (Weimar Version): Il Plaît Fort [Live]
6. Benvenuto Cellini, Op. 23, H. 76, Act III "Mercrèdi Des Cendres" (Weimar Version): Entr’acte Et Scè
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7. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 1 "Mercrèdi Des Cendres" (Weimar Version): A L’atelier Re
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8. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 2 "Mercrèdi Des Cendres" (Weimar Version): Il N’a Pas Rep
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9. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 3 "Mercrèdi Des Cendres" (Weimar Version): Bienheureux Les Mate
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10. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 4 "Mercrèdi Des Cendres" (Weimar Version): Mais Qu’ai-Je
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11. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 5 "Mercrèdi Des Cendres" (Weimar Version): Ah, Qu’est-Il
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12. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 6 "Mercrèdi Des Cendres" (Weimar Version): Teresa ! [Live]
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13. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 7 "Mercrèdi Des Cendres" (Weimar Version): Quand Des Sommets De
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14. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 8 "Mercrèdi Des Cendres" (Weimar Version): Ah ! Maître !
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15. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 9 "Mercrèdi Des Cendres" (Weimar Version): Ah ! Je Te Trouve En
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16. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 10 "Mercrèdi Des Cendres" (Weimar Version): Le Cardinal ! [Live
17. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 11 "Mercrèdi Des Cendres" (Weimar Version): Seul Pour Lutter -
18. Benvenuto Cellini, Op. 23, H. 76, Act III Scene 12 "Mercrèdi Des Cendres" (Weimar Version): Du Métal ! D
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DISC: 6
Digital download
MP3
1. Grande Messe Des Morts, Op. 5, H. 75: I. Requiem Et Kyrie. Introït (Live)
2. Grande Messe Des Morts, Op. 5, H. 75: II. Dies Irae. Prose - Tuba Mirum (Live)
3. Grande Messe Des Morts, Op. 5, H. 75: III. Quid Sum Miser (Live)
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4. Grande Messe Des Morts, Op. 5, H. 75: IV. Rex Tremendae (Live)
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5. Grande Messe Des Morts, Op. 5, H. 75: V. Quaerens Me (Live)
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6. Grande Messe Des Morts, Op. 5, H. 75: VI. Lacrimosa (Live)
DISC: 7
MP3
1. Grande Messe Des Morts, Op. 5, H. 75: VII. Offertoire. Choeur Des Âmes Du Purgatoire (Live)
2. Grande Messe Des Morts, Op. 5, H. 75: VIII. Hostias (Live)
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3. Grande Messe Des Morts, Op. 5, H. 75: IX. Sanctus (Live)
4. Grande Messe Des Morts, Op. 5, H. 75: X. Agnus Dei (Live)
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During his thirteen years as chief conductor of the Stuttgart Radio Symphony Orchestra of SWR Sir Roger Norrington conducted and recorded an important part of Berlioz's core repertoire. The present boxed set brings together on seven CDs the Requiem, the opera Benvenuto Cellini (concert performance), the oratorio L'Enfance du Christ, the overture Les Francs-juges and of course the Symphonie fantastique. Norrington's style has caused a stir internationally with what has come to be termed 'The Stuttgart Sound': a synthesis of historically-informed performance practice with the technical capabilities of a modern orchestra. Whether in Mozart, Haydn, Bruckner or Berlioz, Norrington seeks to capture the performance experience of the time, adjusting the orchestra's size and seating plan to create an authentic sound without vibrato. Hector Berlioz had to surmount a variety of challenges before he was able to pursue his musical vocation. His father, a respected physician in the provincial South of France, was not readily willing to come to terms with his son's intention to quit his medical studies and turn instead to music. He therefore made all further financial support subject to Hector's climbing up the musical ladder at lightning speed. Alas, it didn't work so easily. Berlioz's road to success was tedious and marked by adversity and struggle, his personal life tumultuous. The uniqueness and originality of his musical style are no longer disputed, but this insight came at the end of a decades long process.


        
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